Overdue FO, a prize, and some good reads
OK, so I suppose getting around to blogging for the FIRST time about a FO I gave to my mother for Mother’s Day (she received it early too) during the first week of August is a bit tardy. But here at Molecular Knitting, I am a strong believer in better late than never when it comes to posting FOs. So lets take a look at the mohair scarf I sent Mom. She likes it too!
Yes, I drink my fresh-squeezed OJ from a footed, crystal glass. Once when I was in San Francisco, I saw a man leaning out of his 3rd story flat window, sipping OJ from a footed, crystal glass one bright, sunny morning while he enjoyed what I can only imagine was a spectacular view of the city. I thought he had the right idea. I didn’t live in San Francisco, and I couldn’t have afforded his home even if I did. But I could find a footed, crystal glass in clearance room at the Mikasa outlet. Yes, I feel very special.
I call this the Stained Glass Scarf for what I think are obvious reasons. The yarn is Artful Yarns Portrait in Weeping Woman. The Potrait series of colorways are all based on famous portrait paintings, and I assume this colorway is for the Picasso Weeping Woman painting. This drop stitch pattern was the third stitch pattern I tried–yes, I did rip mohair but very, very carefully. It was the best for the short stretches of color.
Garter Drop Stitch:
Row 1: knit
Row 2: knit, wrapping yarn 2X around the needle (I used US 9 needles)
Row 3: knit, dropping extra wraps
Row 4: knit
While my computer was on the fritz, I won a prize! I won a skein of sock yarn in Claudia’s Bike for MS fundraiser. I got sent a lovely skein of CTH supersock in the Simply Sock Yarn Company Anniversary Colors.
I have a twisty-ribby idea in mind, but I have other socks to finish first. More on those socks in another post. But I do want to mention a new series of historical mysteries (the first two are out) that I have enjoyed very much. They are the Lady Julia Grey mysteries by Deanna Raybourn.
The setting is mid-Victorian period in Britain. Silent in the Grave is the first novel, and it deals with the death of Lady Julia’s husband. Lady Julia assumes her husband’s congenital heart problem has killed him, but one of her dinner guests, Nicholas Brisbane, a private detective to the rich and famous, is sure it is murder. When Lady Julia realizes Mr. Brisbane is right, she decides to solve the murder, and asks for Mr. Brisbane’s help. Mr. Brisbane prefers to work alone. Lady Julia insists on helping. Sparks fly, and the culprit hasn’t a prayer of escaping.
The plot is clever and the characters are a great deal of fun. Furthermore, Ms. Raybourn is a good writer. She has an ear for dialog too. I am a very picky reader. My dad, a literature professor, taught me to recite from T.S. Eliot’s and Gerard Manley Hopkins’ poems when I was in grade school. I learned a love of words from this which led to an aversion of flat, lackluster writing. I am happy to report that I didn’t groan once while reading these two mysteries. I liked the first so well, I had to go out immediately and buy the second. Now I wait in loneliness for the third. Good mysteries are hard to find; I highly recommend these.